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Production

Producer's Assistant

Ian Adamson

  • BFA in Film, TV & New Media production, Diploma of Business, Bilingual (Spanish).
Brisbane
Driven, professional, detail oriented and friendly 3rd AD. Also keen to also learn more about production - open to producer / director assistant roles. Six years, bringing professionalism and good energy to various roles.

Asline Adjalle

  • CFPTS PARIS Diploma - Production Manager (2021), 3IS PARIS Apprenticeship / Stage Manager - Performing Arts (2017/2019).
Northern Rivers
Production / Stage Management professional transitioning into screen, bringing extensive experience coordinating crews, logistics and fast-paced productions, with a calm, practical and highly adaptable approach.

Sophie Anderson

  • Bachelor of Creative Media Production Majoring in Film & TV Directing & Producing
Gold Coast
I’m Sophie, an emerging AD, based in the GC, looking for entry-mid level crew work to continue working in the Australian film community. I love dramas and TV shows, and also have reality/factual experience. I’m enthusiastic, fun, hardworking, and dedicated to my career as an AD. Please don’t hesitate to get in touch!

Jessica Davis

  • BROADCASTING | FILM | TELEVISION | MUSIC
Northern Rivers
Versatile, accomplished entertainment and media professional with over a decade of experience in film, television, live broadcast, and international touring.

Megan Gansberg

  • Diploma of Screen and Media (Film and TV Production), Bachelor of Theatre Arts (Drama and Theatre Studies)
Brisbane
Just wrapped as the Screen Queensland attachment on Amazon MGM film HONEYMOON WITH HARRY. Learned a lot! Next step Production Secretary, but would happily take on runner and PA roles to build my credits and experience.

Lleyton Hails

  • BFA Film & TV (2020), Dip of Comms (2019) - Bond University.
Gold Coast
A driven early-career filmmaker with credits as a Director’s Assistant, Attachment, Production Runner and Post PA across film and television. Known for his calm, kind demeanor he has a strong work ethic, adaptability, and has demonstrated the ability to support fast-moving sets with confidence, grace, skill and a smile.

Will James

  • Dip Screen and Media, Cert III Creative Industries, open driver's licence.
Gold Coast
Emerging Art Dept or Production ... I have done a number of jobs on short films, which helped me build up my skills and confidence.

Carlyle Keyser

  • Bachelor of Film Production, Co-Founder of Sunshine Locations, Working at YE! Media
Brisbane
Emerging production professional with experience in storytelling, film production, photography, and digital content, seeking opportunities as a Production Assistant or Producer's Assistant within film and television productions.

Amy McCulloch

  • BComm Media Production, Screenwriting.
Northern Rivers
After many years in development, keen to contribute more directly to production. Looking to join a producing team as a Producer’s Assistant, Associate Producer or Co-Producer.

Kaylene Rohweder

  • Director Whispering, Daniela Saioni (2026), Screen Industry On-Boarding Program, TAFE Coomera (2025), Diploma of Applied Social Science, Australian College of Applied Psychology- ACAP.
Gold Coast
Decades of experience working on TV drama, game shows, TV lifestyle programs in post and production. Looking for opportunities in drama in the production office, or Director / Producer's assistant.

Finn Williams

  • Bachelor Screen & Media Griffith University, Worked as a Film Crew Coordinator at Brisbane Boys College, First AID & CPR Qualified, Blue Card
Brisbane
Content creator with experience across narrative film, television, and digital media, delivering award-winning and internationally selected projects from development through post-production.

Ian Adamson

  • BFA in Film, TV & New Media production, Diploma of Business, Bilingual (Spanish).
Brisbane
Driven, professional, detail oriented and friendly 3rd AD. Also keen to also learn more about production - open to producer / director assistant roles. Six years, bringing professionalism and good energy to various roles.

Lists as:

  • Additional ADs
  • Assistant Director - 3rd
  • Director's Assistant
  • Producer's Assistant

I have had the good fortune to work on many high-profile projects in and around the Gold Coast and Brisbane over the last six years.

In that time, I have learned how to manage and navigate big sets with hundreds of extras and work with the best crew members in the country.

I have become comfortable working in high-pressure situations under the best 1st AD’s such as PJ Voeten, Lee Cleary and David Venghaus. Working under such experienced ADs, I have learned how the rhythm of a film shoot works and how to recognise patterns that emerge in a film shoot.

Some of the skills I have acquired as an AD in the last few years; setting background, working with camera operators, coordinating with all HOD’s on a daily basis, working with the director and DOP communicating their thoughts and ideas to the 1st AD.

Also keen to learn more about production and open to undertaking a producer’s assistant or director’s assistant role.

RECENT CREDITS:
2026 GUNDAM (Feature) – 2nd Unit Onset 3rd AD
2026  RUNNER (Feature) – Additional AD
2025  SUBVERSION, Amazon MGM – On Set 3rd AD
2025  VOLTRON, Amazon MGM Studios – Set PA
2024  BALLS UP, Skydance Media –  Set PA
2024  THE SPIT, Tracking Films Pty Ltd – Production Runner
2024  MORTAL KOMBAT 2, Warner Bros.  – Set PA

Asline Adjalle

  • CFPTS PARIS Diploma - Production Manager (2021), 3IS PARIS Apprenticeship / Stage Manager - Performing Arts (2017/2019).
Northern Rivers
Production / Stage Management professional transitioning into screen, bringing extensive experience coordinating crews, logistics and fast-paced productions, with a calm, practical and highly adaptable approach.

Lists as:

  • (Emerging) ADs
  • (Emerging) Production
  • Director's Assistant
  • PA, Runner
  • Producer's Assistant
  • Production Assistant
  • Production Coordinator - Screen
  • Production Secretary

I am an experienced Production /  Stage Management professional with extensive experience across live performance, events and technical production in Australia and France, now looking to build my career in screen production.

My experience has developed strong, transferable skills in crew coordination, production logistics, scheduling, communication, problem-solving and working effectively under pressure.

Recent projects including Love for One Night, Tirra Lirra and NORPA’s Prima Facie have involved coordinating teams, managing technical and production requirements, liaising across departments and ensuring productions run smoothly from preparation through to performance.

I am highly organised, hands-on and adaptable, with a calm approach to busy environments and changing priorities. I enjoy being part of a team, anticipating what needs to happen next and finding practical solutions when challenges arise.

I am particularly interested in working within the film and television industry in roles where my production and coordination experience can be valuable while I continue developing my knowledge of screen-specific workflows, set operations and production processes.

I am reliable, quick to learn and genuinely excited to contribute to a professional screen crew.

Sophie Anderson

  • Bachelor of Creative Media Production Majoring in Film & TV Directing & Producing
Gold Coast
I’m Sophie, an emerging AD, based in the GC, looking for entry-mid level crew work to continue working in the Australian film community. I love dramas and TV shows, and also have reality/factual experience. I’m enthusiastic, fun, hardworking, and dedicated to my career as an AD. Please don’t hesitate to get in touch!

Lists as:

  • (Emerging) ADs
  • Additional ADs
  • Base / On Set PA
  • Costume Assistant, Runner
  • Director's Assistant
  • PA, Runner
  • Producer's Assistant

My previous experience included: being an in-house production coordinator at a production company for two years in NZ from 2022-2024 and freelancing to gain invaluable experience across a plethora of smaller, boutique commercial shoots. In 2025, I moved to Australia to pursue a bigger industry with an aim to be on TV or features.

Most recently, I have stepped into on-set roles through this including on set PA, 2nd 2nd AD (extras), 3rd AD (cast), and costume / stylist assist. My last production was as a SQ Onset PA (Assistant Directors) Attachment on JUMP- a NZ / Australia production.

I have also been an attachment on EPiC through Bazmark and Screen Queensland and Nick Waterman’s (dir. How To Make Gravy) Production Assistant, working across commercials, short films, social media, and slate development, until this position moved interstate.

I thrive as an AD, and am looking for on-set work, and would like to learn more about the department. Love being part of a creative, positive team all working towards a common goal, am am dedicated to a career in this industry.

Recent Credits:

2026 JUMP (Feature) – AD onset PA

2026 DIARY OF A JUNIOR DOCTOR – Field Production Assistant for factual series in NZ

2025  NATURAL BEAUTY – MEG WASHINGTON – Brand Gold Coast’s ‘Goldcoaster’ film, produced by Bazmark Inq – Director’s Assistant to Nick Waterman
2025 Natural Beauty Music Video, Written / Performed by Meg Washington / Dir. Nick Waterman- Producer

2024 EPiC – Elvis Presley In Concert by Baz Luhrmann – BAZMARK INQ – Post-Production Attachment

2022- 24 LES MILLS INTERNATIONAL, Production Company specialising in Feature-length fitness videos and live fitness activations

(Full working rights in Australia)

Jessica Davis

  • BROADCASTING | FILM | TELEVISION | MUSIC
Northern Rivers
Versatile, accomplished entertainment and media professional with over a decade of experience in film, television, live broadcast, and international touring.

Lists as:

  • Additional ADs
  • Assistant Director - 3rd
  • Director's Assistant
  • Producer's Assistant

BROADCASTING | FILM | TELEVISION | MUSIC
Versatile, accomplished entertainment and media professional with over a decade of experience in film, television, live broadcast, and international touring.

Excels at managing large-scale operations for globally televised events, coordinating complex on-set logistics for major studio productions, and supporting high-profile talent with discretion and care. Adept at bridging creative and operational teams, ensuring seamless communication, precise scheduling, and proactive problem-solving under pressure.

Recognized for leadership in high-stakes environments, from award-winning sports broadcasts for Fox Sports Australia to international streaming content for Netflix, Disney, Amazon Prime, and more.

Areas of Expertise:
 Logistics Coordination
 Team Leadership
 Crisis Management
 Production Documentation
 Talent Liaison & Support
 Stakeholder Communication
 Production Schedules
 Budget Management
 Health & Safety Compliance

Career Highlights
Led broadcast operations for globally televised sporting events, including the Pacquiao v Horn title fight (AACTA Award-winning), International Cricket, Rugby, Motorsport Series, and World Cup Qualifiers; coordinated all OB logistics, international broadcaster facilitation, large scale crew management (accreditation, parking, catering, travel, ground transport) and VIP hosting (including International dignitaries and A-list celebrities).

 Delivered seamless on-set cast coordination and production support for several major films and television series; served as a vital communication link between cast, directors, and departments while managing scheduling, privacy, health, and legal compliance for talent, including minors. Processing cast and up to several hundred background performers through makeup, costume, catering and transport.

 Served as Tour Manager and Personal Assistant to high-profile talent, managing logistics, scheduling, and care on international tours; ensured artist safety, coordinated PR and production needs, and executed rider/venue requirements.

 Established and maintained broadcast systems and protocols at Fox Sports Australia, including building the national OB calendar in Smartsheet and overseeing merchandise, commentary/hosting builds, and award show logistics; ensured brand consistency and operational excellence across domestic and international events.

Megan Gansberg

  • Diploma of Screen and Media (Film and TV Production), Bachelor of Theatre Arts (Drama and Theatre Studies)
Brisbane
Just wrapped as the Screen Queensland attachment on Amazon MGM film HONEYMOON WITH HARRY. Learned a lot! Next step Production Secretary, but would happily take on runner and PA roles to build my credits and experience.

Lists as:

  • (Emerging) ADs
  • (Emerging) Production
  • Additional ADs
  • PA, Runner
  • Producer's Assistant
  • Production Assistant
In 2026, I secured a Screen Queensland attachment opportunity in the Production Office for the Amazon MGM film HONEYMOON WITH HARRY. The attachment – my first professional credit – was originally 13 weeks ( from pre-production to the  first week of post-production), but the Production Manager, kept me on until the production office wrapped. The opportunity was amazing. I learned a lot and was able to apply my transferable skills to the work I was given. I’d love to continue working with the production office. My attachment supervisors said I could consider taking on Production Secretary opportunities, given my level of transferable skills, but also appreciate I’m in the early days of my career, so I’d also happily take on runner and PA opportunities.

Although, I’m relatively new to the screen industry, I bring a wealth of transferable skills from my professional experiences in communications and events management, and my education in screen production and theatre.

I have years of experience from managing a program of entertainment for a large-scale outdoor living history event, including managing entertainers, coordinating logistics and safety and scheduling programs.

I’m familiar with working in high pressure situations and problem-solving, and genuinely appreciate the importance of ensuring people are supported. I also have strong administrative experience from my time working in the public sector.

To further my industry knowledge and network, in 2025 I completed: Assistant Directing Fundamentals, AFTRS/ Griffith University,  the Screen Industry On-boarding Program,  Coomera TAFE and the On Set Onboarding / Working in Screen Production, AFTRS, supported by The Walt Disney Company.

RECENT CREDIT:
2026  HONEYMOON WITH HARRY  (Feature) Amazon MGM Studios – Production Office attachment (Screen Queensland)
2026  HONEYMOON WITH HARRY  (EPK) – Production Assistant (daily)
2020 MILLIONAIRE HOT SET (student placement), JAM TV – Runner

Lleyton Hails

  • BFA Film & TV (2020), Dip of Comms (2019) - Bond University.
Gold Coast
A driven early-career filmmaker with credits as a Director’s Assistant, Attachment, Production Runner and Post PA across film and television. Known for his calm, kind demeanor he has a strong work ethic, adaptability, and has demonstrated the ability to support fast-moving sets with confidence, grace, skill and a smile.

Lists as:

  • Director's Assistant
  • PA, Runner
  • Producer's Assistant
  • Production Assistant
  • Production Secretary

I now have over three years of experience in the film and television industry, working across feature films and television series including drama, sci-fi, romance, and children’s television and all stages of production — from pre-production through to post-production.

Teamwork is one of my key strengths; in my last project as Assistant to Writer/Director I worked in close collaboration with the Director, Producers, and 1st Assistant Director (AD), organising the Director’s schedule and managing his time across the various time zones, taking notes, proofreading new versions of the screenplay and facilitating effective communication while building relationships between HoDs, crew, and Amazon MGM (the studio behind the feature film), as well as other projects the Director was working on. This experience strengthened my ability to support Creative Directors and senior leadership.

Under the mentorship of TV Director Grant Brown, I had the experience of being the Screen Queensland Director’s Attachment on Troppo Season 2 (BLK 4),  where I worked closely with the Director, Producers, Writers, the 1st AD and the DOP. This hands-on experience provided me with invaluable insights including how to block a script, how to direct actors, collaborate with editors and post-production team on producer and network episode notes.

I have also worked closely with the production department, as a runner on four long-running television series, from 2021 to 2023.

Being highly organised, detail-oriented, I thrive in fast-paced, people-focused environments, maintain high performance standards, and adapt quickly to changing priorities. I am motivated to create engaging, show-stopping content that brings brands to life and enhances audience engagement.

CREDITS:
2025   SPACE MOUSE (Feature) – Assistant to Writer/Director
2023   TROPPO S2  (TV Series) – Screen Queensland’s Director’s Attachment (BLK 4) under mentorship of TV Director Grant Brow
2023   TROPPO S2 (TV Series) – Production Runner (BLK 1-3)
2023   ROCK ISLAND MYSTERIES S2 (TV Series) – Production Runner
2022   A ROYAL IN PARADISE (Feature)  – Production Runner
2021   TROPPO S1 (TV Series) – Production Runner

Will James

  • Dip Screen and Media, Cert III Creative Industries, open driver's licence.
Gold Coast
Emerging Art Dept or Production ... I have done a number of jobs on short films, which helped me build up my skills and confidence.

Lists as:

  • (Emerging) Art Dept
  • (Emerging) Production
  • PA, Runner
  • Producer's Assistant

In April 2024, I graduated a Diploma of Screen and Media Production course at TAFE.

I am a hard worker and a fast learner, can adapt to new working environments quickly and happy to work in a variety of conditions. I can bring my great communication skills, quick thinking and fun personality to work each day.

Currently, keen for roles in either production or art department, as an Art Department runner, Producer’s assistant  or Production runner to build up my experience and skills. In the long term, I would like to write and produce horror movies.

EMERGING CREDITS:
Tropfest submission, short film, indie features – Producer’s Assistant
Student Films  – Production runner, Set Dresser, Set Decorator, Art Department Assistant

Carlyle Keyser

  • Bachelor of Film Production, Co-Founder of Sunshine Locations, Working at YE! Media
Brisbane
Emerging production professional with experience in storytelling, film production, photography, and digital content, seeking opportunities as a Production Assistant or Producer's Assistant within film and television productions.

Lists as:

  • (Emerging) Production
  • Base / On Set PA
  • Director's Assistant
  • Producer's Assistant
  • Production Secretary

Emerging production professional with a Bachelor of Film (Production) and hands-on experience across short films, music videos, branded projects, and client productions.

Experienced in supporting projects from development through to delivery, with skills in pre-production planning, on-set coordination, scheduling, and post-production workflows.

As Co-Founder of Sunshine Locations and through roles in media production, I have developed strong organisational, communication, and problem-solving skills while working collaboratively with clients, crew, and creative teams.

Passionate about storytelling and screen production, I am seeking opportunities as a Production Assistant, Producer’s Assistant, or within a production office to contribute to engaging film and television projects.

Amy McCulloch

  • BComm Media Production, Screenwriting.
Northern Rivers
After many years in development, keen to contribute more directly to production. Looking to join a producing team as a Producer’s Assistant, Associate Producer or Co-Producer.

Lists as:

  • Director's Assistant
  • Post Production / VFX Producer, Coordinator
  • Producer's Assistant
  • Production Coordinator - Screen

After many years in development, I’m keen to contribute more directly to production. I’m now looking to join a producing team as a Producer’s Assistant, Associate Producer or Co-Producer.

I bring a broad mix of creative, production and development experience that I believe would be extremely valuable in those roles, including:

  • held senior producer / series producer roles at Disney, writing and producing original formats for broadcast on Disney Channel, digital content
  • freelance promo producer (proficient in Premiere Pro)
  • worked in post-production at Seven, across multiple programs
  • started in live broadcast in the Ch 7 News room, Sydney, putting news bulletins, sports and Sunrise to air

I’ve also just wrapped up a four-year stint as Head of Development, managing a slate of 11 scripted television and feature projects. Responsibilities included:

  • ideation and developing pitch materials
  • preparing and submitting funding applications
  • pitching/representing projects in market settings
  • deeply involved in shaping projects from early concept through to advanced development
  • worked with different contributors and collaborators across creative, strategic, budgetary and logistical aspects

I am creatively driven as well as solutions-focused and have excellent problem-solving skills. Keen to bring my development, production and post-production experience into a collaborative producing team, so please feel free to reach out if you think my background could be a good fit for your next project.

Kaylene Rohweder

  • Director Whispering, Daniela Saioni (2026), Screen Industry On-Boarding Program, TAFE Coomera (2025), Diploma of Applied Social Science, Australian College of Applied Psychology- ACAP.
Gold Coast
Decades of experience working on TV drama, game shows, TV lifestyle programs in post and production. Looking for opportunities in drama in the production office, or Director / Producer's assistant.

Lists as:

  • Assistant Production Coordinator
  • Director's Assistant
  • Post Production / VFX Producer, Coordinator
  • Producer's Assistant
  • Production Secretary

My first foray into film was back in 1995,  working on the quintessential Aussie comedy ‘The Castle’ as a Production Runner. After a 12-month stint living in London, working at the BBC and Granada Television, I had a change of career and worked in aviation for 13 years in training and management roles.

The itch to return to TV and film returned and over the last decade, I’ve worked on productions for FremantleMedia, Matchbox Pictures, Roadshow Rough Diamond and the ABC.

I’m very process-driven, super organised, excellent time management skills and love a good spreadsheet. After finishing up a long-standing post-production contract, I am eager to jump into a new production role.

Recent Credits:
GARDENING AUSTRALIA (TV Show) ABC – Exec Producer: Gill Lomas
Post-Production Co-ordinator (2019-2026)
Production Assistant (2017-2019)

Finn Williams

  • Bachelor Screen & Media Griffith University, Worked as a Film Crew Coordinator at Brisbane Boys College, First AID & CPR Qualified, Blue Card
Brisbane
Content creator with experience across narrative film, television, and digital media, delivering award-winning and internationally selected projects from development through post-production.

Lists as:

  • (Emerging) Production
  • Producer's Assistant

Hello. I am an emerging marketing and film producer with skills in creating marketing plans, organising and overseeing a film production crew, elevating them, and scheduling. I’m also an executive at UQ Film Production Society and Griffith Screen Society as the social media manager and have experience being on camera.

I have produced and contributed to projects including the AACTA 2026 contender and SXSW-selected feature film 100% Pure Rage, the award-winning Fashion vs Beauty: War of the Crowns (Production Coordinator), and the television program Through The Ages.

I have also worked as a Film Crew Coordinator at Brisbane Boys’ College, overseeing student crews and production logistics.

Alongside creative production, I bring experience in publicity, audience growth, sponsorship outreach, and on-set welfare, maintaining a people-first and solutions-driven approach to filmmaking.

My long-term focus is on building original, meaningful screen stories while developing sustainable production models within the Australian film industry.