Detail-driven with specialisation in logistics, people management and clear inter and intra departmental communication, with onset and offset experience.
Connor Boland
Strong organisation, clear communication and practical production knowledge.
Brisbane
Experienced production office crew member with credits across feature films, television drama and unscripted production.
I am an experienced production office crew member with credits across feature films, television drama and unscripted production. I started as a runner and have built my production office credits up to Production Secretary, APOC and Production Coordinator.
My recent credits include Runner, A Royal Wedding: A Royal in Paradise III, Anaconda, Alone Australia and Darby and Joan. I bring strong organisation, clear communication and practical production knowledge, with experience supporting the day-to-day requirements of busy production offices and keeping information, logistics and administrative processes moving.
2026 HEADLESS (Feature) – Production Coordinator
2026 THE MARK (Feature) – Assistant Production Coordinator
2026 RUNNER (Feature) – Production Secretary
2026 A ROYAL WEDDING: A ROYAL IN PARADISE III (TV Movie) – Assistant Production Coordinator
2025 ANACONDA (Feature) – Production Secretary
2025 ALONE AUSTRALIA (TV Series) – Production Assistant
2024–2025 DARBY AND JOAN (TV Series) – Production Secretary / Production Runner
2024 THE LOST TIGER (Feature) – Production Coordinator
2024 DREAM HOME (TV Series) – Production Secretary
2023 DESIGNING CHRISTMAS WITH YOU (TV Movie) – Production Coordinator
Shaun Clifford
Diploma of Screen and Media
Brisbane
I've proven to manage crew well and have stayed within all budgets given to me. I have strong work ethics and work alongside solid hardworking crew!
Over 12 years of experience across production management, coordination, and unit management within film and television, I bring a strong working knowledge of pre-production planning and on-set execution, with practical involvement in scheduling, budgeting support, logistics, and crew coordination.
I hold a Diploma qualification and continue to develop toward Production Manager and Line Producer roles. Experienced in assisting with line producing functions, including budget tracking and resource allocation, ensuring productions operate efficiently within established constraints.
Have strong work ethics, but am never too proud to ask for help from my team when it’s required. For this reason, I always have solid and clear communication with my crew and HOD’s to ensure each goal and production is met to the utmost satisfaction. I work hard to contribute to productions through hands-on coordination, problem-solving, and maintaining alignment between production requirements and on-ground execution during pre-production and principal photography phases.
RECENT CREDITS:
2026 KILLER WHALE – Production Manager
2026 WHALE SHARK JACK – Production Coordinator
2025 ARRANGED LOVE – Production Coordinator
2023 DESIGNING CHRISTMAS WITH YOU – Production Manager
Bailey Eales
Bachelor of Film and Television - Bond University
Gold Coast
Detail-driven with specialisation in logistics, people management and clear inter and intra departmental communication, with onset and offset experience.
Having worked in both short form and long form production, I have constantly worked to improve the clarity of my communication and my organisational skills. Having worked in both onset and offset roles, I bring an experientially informed – people first approach – to any and all departments I work within. I find this increases efficiency within the department, and also improves integration with other departments.
I strongly value the working relationships forged during the course of a production, and those that are strengthened by encountering those same practitioners on later jobs. I believe this creates a more unified local and national film community.
Have worked in multiple states and hope to continue to find opportunities that take me elsewhere in the country to engage with other practitioners and learn from their experiences and about their unique local ecosystems.
Always looking to continue my development and positively contribute to the local film ecosystem through mentorship. Primarily this is done through support of attachment opportunities through national and state screen bodies as well as third party programs and educational institutions.
Most recent credits:
TELEVISION
2025: Dustfall (ABC) – Production Coordinator | Line Producer: Pam Collis
2024: Darby and Joan Season 2 – Art Department Coordinator (Setup) | Production Designer: Daniella Rigby, Art Director: Madeleine Barlow
2023 – 2024: The Survivors (Netflix) – Art Department Coordinator | Production Designer: Ben Morieson, Supervising Art Director: Daniella Rigby